Starting in June 2005, I decided that I would no longer purchase music from bands who released albums on record labels that belonged to the RIAA. I have broken that promise, mostly because the RIAA is everywhere.
Downtown is distributed by Warner Music's Alternative Distribution Alliance (ADA) and has a joint venture with Atlantic Records in North America.
... 49% owned by Warner Music Group, one of the largest major record labels in the world. They own a 5% stake in the Alternative Distribution Alliance, with Warner Music Group owning the other 95%.
As one of the leading distributors of independent music in the U.S., Alternative Distribution Alliance (ADA) has delivered on its original mission statement: Give indie labels access to a flexible distribution system that marries the clout and convenience of a major with the marketing sensibilities of an independent.
Several years ago, when the company's growth warranted a move to new digs, ADA merged its warehousing operations with the Warner Music Group, which built a new facility to handle the output of both WEA and ADA. ''With the Warner backbone supporting us,'' says Allen, ''we have infinite flexibility, and the big records are just as easy to do as the small ones.''
Headquartered in New York City, ADA has 16 branch offices and over 60 employees. Its current roster of labels includes, 4AD, Barsuk, Beggars Banquet Group, Comedy Central, Everfine, Epitaph, Fueled By Ramen, Kill Rock Stars, Matador, Metropolis, Minty Fresh, New Line, Oglio, Om, Polyvinyl, Punahele, Saddle Creek, Side One Dummy, Sub Pop, Surf Dog, Thirsty Ear, Thrill Jockey, Tommy Boy, Tomorrow, Touch And Go, Ubiquity, Vice, Wichita and XL Recordings.
Back in 2005, I wrote:
This action is not about having an external effect. It is about resolving the internal hypocrisy I feel when I buy an album, only to find out later that the label is part of an organization that likes to sue college students, or the artist thinks filesharing and peer-to-peer are inherently evil.